History (past, present, and future)
HANDSHAKE 3 (HS3) 2016 – 2017 took the project further; enabling consolidation and synthesis, Those selected from former HS projects got challenging opportunities for more relationships to form, practices to develop, coalitions to form and ideas to refine. A series of national and international exhibitions at established venues are lined up as testing grounds for these iterations. Collaborations in its widest context are included in this 1-year programme. This professional programme aims to build upon independent makers with an innovative practice.
HANDSHAKE 5 (HS5) 2019 offers two high-level exhibition opportunities in 2019 for selected candidates from the HS1, 2 and 4 projects: HANDSHAKE in dialogue with CODA collection”, CODA Museum, Apeldoorn, The Netherlands (Sept 2019) and ‘SPACE Collaboration’: Te Uru Waitakere Contemporary Gallery, Auckland (late 2019: TBC) and held in a combination of different smaller gallery spaces spread throughout the building.
HANDSHAKE 6 and 7 (HS 6 &7) 2020-2023 are at planning-stage and will commence once funding is secured. Please air your interest for HS6 when interested.
HANDSHAKE takes advantage of electronic technologies, like Skype, Dropbox, email and social media that enable the mentees to develop and refine their practice alongside their mentors in a virtual studio space. A significant part of the project is that the mentee records their progress via the HANDSHAKE blogs for others to view and learn from. Through these individual blog pages, the mentees present the fabric of their ideas; demonstrate the processes of their research, their design thoughts, and its making, as well as self-reflection, editing processes, other experiences, and mentor feedback. It also introduces their mentor, summarises their advice and feedback, shows extracts from mentor publications, press reviews, and interviews, all making for a rich reading.
Next to its mentor and planned exhibition programmes are separate curated exhibitions for national and international dealer galleries. These exhibitions are extra and give those selected new opportunities to exhibit existing and/or new work for these more established (commercial) venues. Handshake work developed from the past and current projects will get another opportunity to be seen at different locations through its curatorial programme.
These curated exhibitions are not part of the existing HS programme, but are additional and evolve primarily from requests of galleries and curators. Each curated exhibition project is different with a different mix of artists and works from the different projects, curatorial focus, criteria, exhibition set up, and local circumstances. The HS organisers aim to collaborate with each of the curators, and/or gallery owners and negotiate the works for selection. HANDSHAKE “curated” exhibitions act also as another promotional tool for the HS artists.
Exhibition online is a new platform to contextualise ideas and processes. There are two known ways of exhibiting contemporary jewellery: on the body (an exhibition platform since prehistoric times) and in cabinets/plinths or on a wall. This online presentation is not emulating any of those, but attend to break away from it.
OVERVIEW of all past present and future HANDSHAKE projects:
Chronological links of the HANDSHAKE model
June 2018: The story behind Wellington’s Handshake - by Helen Wyatt
May 2018: Isolation and Global Sameness. About Critique. Interview with Peter Deckers
“….we do need good artists, challenging exhibitions, quality outlets, a buying public and hardworking gallerists, and when these things are future proofed, critics can review them….”
April 2018: IWA: New Zealand Makers- exhibition at the FRAME gallery, Munich
Valuing the handmade: New Zealand jewellers in Munich: by Kim Paton
The FRAME review: by Helen Denton from Klimt02
October 2017: SHOW it ALL- by Peter Deckers
Article about exhibition practice through the lens of Handshake by Peter Deckers
July 2017: Peter Deckers interview for Te Auaha, the new school for Creative Arts in Wellington, NZ
Peter Deckers interview for Te Auaha, the new school for Creative Arts in Wellington, NZ
June 2017: Contemporary Jewellery in Context: a Handshake blueprint- publication
Arnoldsche publication, edited by Peter Deckers
June 2017: Our contemporary jewellery artists shine at Schmuck 2017
Our contemporary jewellery artists shine at Schmuck 2017, article by Philip Clarke
November 2016: AJF interview: Peter Deckers
Benjamin Lignel AJF interview with Peter Deckers about the Handshake project: https://artjewelryforum.org/peter-deckers
September 2016: SPANpoints catalogue
The HS3 catalogue with writings from Hilde de Decker, Kim Paton, Tanel Veenre, Peter Deckers, Sofia Björkman, a gazette from Dialogue Collective and introductions to the 12 HS3 artists: spanpoints-hs3-catalogue
5 April 2016: Overview 26, magazin
In Overview 26 you can find an article about how the HANDSHAKE project has progressed.
March 2016: During Munich Jewellery Week
September 2015: Radio NZ Interview: Vanessa Arthur and David Neale
Standing Room Only for Sunday 13 September 2015
Jewellers’ international handshake
For almost two years 11 emerging New Zealand contemporary jewellers have been mentored by big names international names in jewellery. Now the work of mentors and mentees is being shown side by side for the first time. The Handshake project paired the Kiwi jewellers with their heros at the start of last year. They’ve collaborated using online video and email. So how did it work? Mentor David Neale from Melbourne in Australia, and to Hastings jeweller Vanessa Arthur talks about their collaboration. Mentors & Mentees, is on at AVID Gallery in Wellington.
September 2015: Stuff interview: Avid Gallery exhibition
Jewellery across the miles
July 2015: Susan Cummings Interview
Interview by: Susan Cummings
Peter Deckers is a spark plug. He has started up many conferences, organized exchanges and exhibitions, and generally speaking whipped up activities to encourage and develop the New Zealand jewelry scene. In his show ‘Deflating Standard’ at Avid Gallery, he also has created jewelry that questions value and the status quo. It is passionate work.
Click here: to read more about the philosophy behind his diverse work practice
July 2015: Klimt02 article: Peter Deckers
KLIMT 02 article: HANDSHAKE project founder, Peter Deckers, unravels how the pairing of mentors and exhibitions accelerates selected New Zealand jewellery artists in their thinking, making, presentation and networking.
Click here for a full report on the pioneering journey of developing ‘leaders beyond dependency’.
May 2015: Susan Cumming interview - Jude Carswell about the HS exhibition at Avid
Art Jewellery Forum’s Susan Cummins recently interviewed Jude Carswell from AVID Gallery Wellington, with a few mentions for Handshake. Handshake2 opens 08 September 2015 at Avid
Click here for the article
November 2014: Dominium Post interview of the 3 Handshakers selected for SCHMUCK, Germany
click here: Handcrafted heaven by Diana Dekker (article in the Dominium Post, 17 November)
September 2014 (Radio NZ interview: Peter Deckers, Ameila Pascoe and Ruudt Peters
Gut instinct, intuition, and accessing the belly of creativity may sound a bit abstract, but according to Dutch contemporary jeweller Ruudt Peters it is here that the creative process begins. He has been paired up to mentor Wellington-based jeweller, Amelia Pascoe as part of Hand Shake Two, an online mentorship programme where selected mentees can develop their practice. So how does the online process work, and how valuable is mentorship in the development of our emerging artists? Sonia Sly investigates. Listen to that radio interview with Peter Deckers, Amelia Pascoe and her mentor Ruudt Peters!
Mentoring is a two way street, and in the case of online mentorship programme – Handshake 2, which supports the development of our most talented contemporary jewellers, it is the mentor who must work for the mentee to help them to develop their ideas.
Netherlands-based Ruudt Peters is a man who continues to defy conventional thinking in his approach to art, object and contemporary jewellery— as a pioneer in his art form he would rather sit on the periphery and stay true to his own voice, rather than conform to tradition. In-keeping with his practice, when it comes to teaching, he leads his students through meditation and blind drawing to bring out an inner core and authenticity that is unique to the maker. For him, it’s not about making an object for the sake of beauty.
I hate beautiful…for me, jewellery is much more [it is] the content, the emotion, the way you wear it. You as a maker load the piece up, and the wearer loads the piece again. So you have a double loaded object.
Ruudt’s creative process and teaching methods are highly sought-after and have found their way into the heart of Wellington-based Amelia Pascoe whose own work straddles sculpture, object and adornment.
Pascoe has a Masters in Zoology and although she has made a departure from her previous work in biosecurity, it has provided a great deal of inspiration in her jewellery practice. One project completed though Whitireia Polytechnic’s Jewellery Design course, involved a series of pieces based on desire and trapping, where she likens the devices used to contain or constrain an animal – loops around the necks and pins that pierce the body, to the way in which we attach jewellery. The jewellery and objects that evolved from the project were ambiguous in form, with some containing an element of danger: “…a trap has to meet both the needs or desires of the trapper, but also the needs and desires of the thing you want to attract.”
Pascoe is hoping to gain much more freedom in her practice, and being mentored by a uniquely acclaimed international practitioner such as Ruudt Peters was as obvious choice. “I come from a science background and I know that I can get quite brain-heavy [so] the idea of working with someone who could help me develop other aspects of my work was quite appealing.”
Handshake2 is the brainchild of contemporary jeweller and educator Peter Deckers. It is an online mentorship programme which has been funded by Creative New Zealand. As part of the process a series of exhibitions will take place, showcasing the outcome of the mentor-mentee development.
June 2014: ArtNews article about Munich 2014, by Peter Deckers
Peter Deckers Schmuck trip 2014 feedback: Pilgrimage to Munich, ArtNews article
July 2013: Brisbane: JMGA keynote speaker Peter Deckers about the HS project
Peter Deckers’ keynote address at the JMGA conference in Brisbane (Participation and Exchange) 12 – 14 July 2013: Interactive Partners – peter deckers
June 2013: Gallery Loupe HS project focus
The art jewelry community is a tight knit group. So why not make it even smaller?….. read more: http://galleryloupe.com/blog/?p=1028 (includes photos of the collaboration work from Andrea Wagner and Lyndsay Raine)
June 2013: Short Video about the HS project: for 'pledge me'
June 2013: Radio NZ interview: Sharon Fitness and Lisa Walker
you can hear a report on the collaboration project on RadioNZ: Arts on Sunday. with interviews of Sharon Fitness and Lisa Walker
February 2013: Overview article about the HS project
February 2013: Big Idea review by Mark Amery: HS exhibition at Toi Poneke, Wellington
Deck the Halls, review by Mark Amery the big idea by Mark Amery
February 2012: Radio NZ, Kim Hill interview: Lisa Walker
January 2012 (Scoop article: HS project)
Toi Pōneke: jewellers meet their idols – Scoop
September 2011: New Wire HS article
NZ jewellers shake hands with overseas idols: news wire
August 2011: News wire interview with HS1 mentee Sarah Read
Kiwi jeweller hand in hand with her hero: news wire