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exhibition programme 2020 – 2022

HS6 final exhibition NORTHART, Northcote,  Auckland, (30th August – 8th October: opening Sat 27 Aug 2022)

MORPH. HS6 exhibitionimage:  Mia Straka

Saturday 21 May – Sunday 24 July 2022

WHIRINAKI WHARE TAONGA, 836 Fergusson Drive, Upper Hutt 

‘Jewellery Glimmer’ is how jewellery can make conversations with their surroundings. This exhibition is the precursor for the final HS6 exhibition ‘MORPH’ at NorthArt, Auckland.

image by Aphra Cheesman

Saturday 21 May – Sunday 24 July 2022

WHIRINAKI WHARE TAONGA, 836 Fergusson Drive, Upper Hutt 

‘Jewellery Glimmer’ is all about how jewellery can make conversations with their surroundings. The art works are made from transformed materials, not often seen in jewellery.

image by Aphra Cheesman

 

 ‘CHAINreaction: Handshakes at the Refinery’ 
& ‘HS Archival Moments’ exhibitions

27 Mar – 17 Apr 2021

The Refinery ArtSpace, 114 Hardy Street, Nelson

CHAINreaction celebrates 10 years of the HANDSHAKE project. HS6 artists were among the 49 artists who have been directly and indirectly associated with the project. They all have all made a HANDSHAKE by contributing to a continuous necklace.

 

 

31 October – 13 November 2020

TE AUAHA art gallery, Wellington, New Zealand.

SIGNING IN exhibition reflected the HS6 participants’ work as a group since the start of their mentorship and marks the halfway point of their two-year journey. The emphasis in this exhibition was on process as much as ‘finished’ artworks, and saw glimpses of ideas in their nascent phase, with many options and opportunities yet to emerge.

The title SIGNING IN also gives a nod to the exceptional year of the coronavirus and the forced lockdown realities of some of the HS participants.

 

 

 

08 July – 01 August 2020

Weasel   C O N T E M P O R A R Y  A R T  G A L L E R Y     260 Victoria St / Hamilton 

Handshake in Hamilton

Co-curated by contemporary art collector, Garth O’Brien, and Weasel Gallery Director, Laree Payne. Handshake in Hamilton presents a diverse range of contemporary jewellery from the Handshake 6 cohort alongside paintings by Hannah Ireland.

The exhibition name, Handshake in Hamilton, is of course first and foremost an extension of the group’s name. Simultaneously however it has assumed further significance in the context of Covid-19 as the age-old germ-ridden handshake is traded for a less deadly elbow-bump.

Handshake in Hamilton lands at an interesting time when many are craving interaction and engagement following prolonged isolation. Most people enjoy communicating with others, and although language might be the first method to come to mind, visual communication preludes language in most instances. Contemporary jewellery is then of course the perfect extension and communicator of identity.

Jewellers participating in the exhibition are: Amelia Rothwell, Aphra Cheesman, Fran Leitch, Jack Hadley, Macarena Bernal, Mia Straka, Michelle Wilkinson, Nikki Perry, Nina van Duijnhoven, Simon Swale and Susan Videler.

Hannah Ireland’s portraits will occupy the walls during Handshake in Hamilton. Through her research and practice, Ireland examines the performative aspect of social interaction including the various versions of oneself we present in different circumstances. Ireland contributes seven sitters to Handshake in Hamilton, they pose behind glass, yet feel like mirrors, inviting adornment.

Handshake in Hamilton will take place at Weasel Gallery which is located in Kirikiriroa (Hamilton) from the 8th of July through until the 1st of August. The opening will take place on the 10th of July from 4pm-6pm (all are welcome).

The exhibition will be viewable through Weasel Gallery’s website (www.weaselgallery.com), or to request a catalogue please email Laree at [email protected]. Weasel Gallery is open Wednesday – Friday, 11am – 4pm, and Saturday from 11am – 3pm.

see more on KLIMT02

CHECK out HS6 ‘online exhibition’, which attempts to contextualise (jewellery) ideas and processes. HS6 did a series of Zoom workshops between April – October about ONLINE EXHIBITING called

ON-E by: Estela Saez Vilanova (CAT-ES)

This special masterclass with Estela Saez workshops how an online presence could break away from all known presentation methods (on the body or displayed). This digital gateway invited the HS6 artists to come up with innovative ideas and experiments. 

 

NEWS & BLOG:

A Journey

After many false starts, explorations. experimentations and near breakdowns… we got there. It was another wild ride on the runaway bus that is the Handshake Project, and this one- Handshake7, was almost the one that broke the camels back. Overlapping with the tail end...

Time to fly!

Time to fly!

Sleeves (2020), Detail Cotton, thread, binding.   Sleeves (2020), Detail.   Sleeves (2020), Detail.     Sleeves (2020), Detail.      Sheet (2020), sheet, thread.     Would you do the HS6 again? 100% yes! Looking back through...

Morph(ed out)

Morph(ed out)

Gathered (2022).  Fabric, thread and cord.  1m drop, 350mm width. I have been making these bags throughout the HS6 as space fillers, I used them to gather and hold collections of teeth, hair, rags and dust, but now they are empty! This emptiness now gathers and holds...

It’s a wrap.

It’s a wrap.

I wrote my last blog in September 2021. So it’s a wrap (see cover shot of all our names peeled off the wall). Our final show Morph, Aug 27 2022 - Oct 8 2022, at NorthArt in Auckland. We arrived, set-up, and opened. Small turn out for Auckland. I showed my face. This...

Full circle

Full circle

I began to think about this idea back when Handshake 6 started. Back when the Social uprising in my country had just began. This nonsensical news article hit me in my soft spot I guess. I took me all of two years to get it out of my system. Pearl Molotov, jewellery...

Morph, the final exhibition.

Morph, the final exhibition.

‘Any group, society, institution, or organisation that encourages women to revile the eccentric, to be suspicious of the new and unusual; to avoid the fervent, the vital, the innovative; to impersonalise the personal, is asking for a culture of dead women.’ Clarissa...

67206 Days, 2276 Full Moons (last days)

April 10 – May 4, 2024 The jewellery artists featured in this NZ exhibition contemplate themes of discovery, origins, integration, and conflict. Becky Bliss Nadene Carr Alpha Cheesman Nina van Duijnhoven Neke Moa Mia Straka Caroline Thomas Sarah Walker-Holt Raewyn...

Opening 67206 Days, 2276 Moons

Please join us for the opening Saturday 13 April 3-at 5 pm of 67206 days, 2276 full moons, these numbers mark the time since the signing of the Treaty of Waitangi...so who’s counting? Nine New Zealand artists from the Handshake Project with the support of Creative New...

67206 Days, 2276 Full Moons

NEW EXHIBITION at Stanley Street Gallery, Sydney 67206 Days, 2276 Full Moons April 10 - May 4, 2024 Becky Bliss, Nadene Carr, Aphra Cheesman, Nina van Duijnhoven, Neke Moa, Mia Straka, Caroline Thomas, Sarah Walker-Holt and Raewyn Walsh The NZ jewellery artists...

my flexible quasi-process

A few years ago I felt the necessity and had the privilege of time to study and to develop a framework for my practice. With many thanks, especially to Johanna Zellmer, my MFA supervisor, the Dunedin Art School community and my family, clarity around my practice...

Proof

Putting it out there - talking about it. What to exhibit in an exhibition that marks the halfway point in this two year handshake project?  In a public process show how resolved should that process be? Does it need to be jewellery, to be wearable?  So many questions...

PROOF of CONCEPT, 21Nov-20Dec

  Proof of Concept HS8 group exhibition at DEPOT ArtSpace, Auckland 4 November – 20 December, opening Saturday 4 Nov, 2 pm ‘Proof of Concept’ is an exhibition that marks the halfway point in the journey of HANDSHAKE 8's two-year professional development...

PROOF of concept, HS8 exhibition

4 November – 21 December, opening Saturday 4 Nov, 2 pm ‘Proof of Concept’ is an exhibition at DEPOT Artspace , Devenport, Auckland that marks the halfway point in the journey of HANDSHAKE 8; a two-year professional development programme for 11 contemporary jewellers....

HSDCTC co-lab exhibition during NJW

In the HSDCTC co-lab collaboration  three art jewellery groups from NZ, UK, and AU joined forces to collectively explore ‘Containment/Uncontained’, reflected by the relationships between jewellery objects and themes of freedoms and restrictions. This exhibition...

HANDSHAKE 8 is live

Welcome to HandShake 8, 2023-24 HS8 is a 2-year programme that encourages experimentation, feedback, development, and exhibiting. Twelve emerging artists selected by  Estela Saez Vilanova (Barcelona) start off with a series of masterclasses in which depth and content...

A Journey

After many false starts, explorations. experimentations and near breakdowns… we got there. It was another wild ride on the runaway bus that is the Handshake Project, and this one- Handshake7, was almost the one that broke the camels back. Overlapping with the tail end...

A Journey

After many false starts, explorations. experimentations and near breakdowns… we got there. It was another wild ride on the runaway bus that is the Handshake Project, and this one- Handshake7, was almost the one that broke the camels back. Overlapping with the tail end...

The end is only the beginning..

Just like that, 2022 has been and gone, and we are already in the 2nd month of the new year. As Dubowski puts it:  “We are paper thin. We exist on luck amid the percentages, temporarily. And that’s the best part and the worst part, the temporal factor.” As the years...

The pursuit of efficiency will drain your life of meaning* series 2022 

*Oliver Burkeman, Sam Harris podcast #289 Time management for mortals approx 22:29 minutes I’m interested in how we experience, value and record time. As a social medium adornment has the potential to act as catalyst, conduit and communicator in this realm.  I invited...

Time to fly!

Sleeves (2020), Detail Cotton, thread, binding.   Sleeves (2020), Detail.   Sleeves (2020), Detail.     Sleeves (2020), Detail.      Sheet (2020), sheet, thread.     Would you do the HS6 again? 100% yes! Looking back through...

Morph(ed out)

Gathered (2022).  Fabric, thread and cord.  1m drop, 350mm width. I have been making these bags throughout the HS6 as space fillers, I used them to gather and hold collections of teeth, hair, rags and dust, but now they are empty! This emptiness now gathers and holds...

Morph report – here and now

We chose Morph as our collective title and theme for this culminating exhibition to embody the transitional and transformative epoch of both the pandemic and Handshake6 on our lives, work and group dynamic.

It’s a wrap.

I wrote my last blog in September 2021. So it’s a wrap (see cover shot of all our names peeled off the wall). Our final show Morph, Aug 27 2022 - Oct 8 2022, at NorthArt in Auckland. We arrived, set-up, and opened. Small turn out for Auckland. I showed my face. This...

Full circle

I began to think about this idea back when Handshake 6 started. Back when the Social uprising in my country had just began. This nonsensical news article hit me in my soft spot I guess. I took me all of two years to get it out of my system. Pearl Molotov, jewellery...

Morph report part I – time based works

Information Age adornment projected through space and time

Morph, the final exhibition.

‘Any group, society, institution, or organisation that encourages women to revile the eccentric, to be suspicious of the new and unusual; to avoid the fervent, the vital, the innovative; to impersonalise the personal, is asking for a culture of dead women.’ Clarissa...